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Start listening. Is this your podcast? All Episodes. Ric Bucher weighs in February 18th, February 15th, Paulie's Podcast February 11th, Actor Michael Pena talks Pebble Beach, movie roles and more. The Jacoby Ellsbury Experiment? February 5th, Ricky Martin bottom right was a member from The Puerto Rican boy band infamous for their ever-rotating cast, Menudo was already on their 17th album and second self-titled offering by the time "Hold Me" crossed over to American audiences.
The fizzy electro-pop cut topped the charts in Japan, and helped the band's Mirotic LP win at that year's Golden Disc Awards, Korea's closest equivalent to the Grammys. The song also had its share of controversy: The Korean Commission of Youth Protection initially deemed the "I got you under my skin" hook as "lewd," requiring its accompanying EP to have parental advisory stickers; and the single couldn't be aired on television earlier than 10 p.
The band's label, SM Entertainment, filed an injunction lawsuit and won. Photo by L.
50 Greatest Boy Band Songs of All Time
Justin Timberlake takes the lead on this spare breakup ballad that he and Wade Robson originally wrote for Michael Jackson. Before Romeo Santos went on to sell out Yankee Stadium multiple nights in a row, the King of Bachata was selling out stadiums with his group Aventura. Their sophomore album, We Broke the Rules , did what Santos would master more than a decade later as a solo artist: Though the band is on hiatus and Santos dominates the market, they reunited at Yankee Stadium in The JoBros were as innocent as a pop group could get — like Osmonds level innocent — grousing about conversations over instant message and text.
However, the Disney-friendly, chaste Jonas Brothers were masters of a catchy pop-rock tune and toyed with rock authenticity long before One Direction famously began doing so with their third and fourth albums. Even though their time as a band of brothers has ended, solo careers for Nick and Joe Jonas have proved that their brief pop domination was in no way a fluke. Long before they became teen idols, Mormon brothers Alan, Wayne, Merrill and Jay Osmond were the hottest kiddie barbershop quartet of the s. But despite near-constant appearances on cornball variety shows hosted by Andy Williams and Jerry Lewis, all their early records flopped.
This future Lieutenant Governor of California made a high-profile announcement in late of his plan to rid MGM of acts that "advocate and exploit drugs" while simultaneously reintroducing these wholesome lads as groovy bubblegum soul. The One Direction of "One Thing" seems like a distant memory compared to the slightly older boys now covered in tattoos and singing folk-rock. In , the then-quintet were all 20 and under; clad in pristine suits, suspenders and turtlenecks; singing dreamy, bubblegum pop-rock about a girl they just couldn't get off their minds.
Co-writer Carl Falk told the Examiner that the song came from two different tunes that they Frankenstein-ed together. It almost has a lullaby feeling to it, the way it's structured," he said. It felt like the perfect 'sister song' to 'What Makes You Beautiful.
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The band would return to the "Clarksville" riff a few years later on "Tear Drop City" — it used a slightly modified version of the song's opening chords. American boy band O-Town, circa MTV, the network at the forefront of the TRL -era bubblegum movement, teamed up with boy band svengali Lou Pearlman in for a new way to corner the pop market: The first product of Making the Band was O-Town. The five-piece had a strong start with their self-titled debut but faded away shortly after. Luckily, they left pop music with "All or Nothing," the saddest boy band ultimatum ballad ever.
Lamont wails out through the chorus of the group's sole hit, "Love Jones," extravagant, symphonic soul in the manner of the Delfonics and the Dramatics. The mood however is psychedelic, as if co-writer and group member Randolph Murph, who talks through the verses, is strung out on obsessive desire — the very definition of a "Love Jones.
This instantly accessible single from K-Pop phenomenon Big Bang blew off many doors of American crossover with little effort on the band's part. This modern-day essential showcases K-pop's genre-bending, visually-oriented charms. By the time New Edition released their second album, they had already weathered a storm in the form of a protracted court battle with former manager Maurice Starr.
Producers Vincent Brantley and Rick Timas were so convinced that "Cool" was a fit for the group, they tracked down the label president and ambushed him with the track at a Los Angeles fried-chicken joint. The ploy worked, and the producers' instincts proved correct: When Berry Gordy signed the Jackson 5 to Motown, his intention was for the group to open with three Number One singles. Said the Corporation's Deke Richards, "The only difference was we just had to come up with a new punch and groove for the beginning and a new, different structure for the verse.
50 Greatest Boy Band Songs of All Time – Rolling Stone
We had a little list of things, a checklist. When Columbia got word, the label changed their marketing strategy overnight, and the group that had been opening for Brenda K. Starr was soon touring with Tiffany. The New Kids became the template for the next decade of boy bands, but at the time, they weren't even sure they had a hit. It's so pretty — but, no. The U. Tempering the less-pronounceable Romanian lyrics with memorable 'mai-ai-hii ' nonsense helped "Dragostea Din Tei" conquer Europe in , selling over 8 million copies — it remains the fourth best selling single ever in France.
I's chart-topping "Live Your Life" sampled the tune. Teenage reggae group Musical Youth, circa Rich vocal harmonies and an easily mimicked chorus helped it float to Number 10 on the Billboard Hot in , while its Don Letts-directed video was one of the first clips by black artists to get MTV airplay. Perhaps not as memorable or as danceable as other 'N Sync hits, "It's Gonna Be Me" nevertheless benefited from perfect timing. Released shortly after the start of 'N Sync's phenomenally successful No Strings Attached tour, it remains the group's sole Hot topping single.
Written by Swedish hit-makers Max Martin, Andreas Carlsson and Rami Yacoub, the lyric juxtaposes the hesitancy of the song's love interest with the determination of an eager-to-please beau represented by both JC Chasez and Justin Timberlake. The drama was played to surreal effect in the song's video, helmed by veteran director Wayne Isham, who cast the boys as living dolls. They wanted something with size, scope, scale and fun.
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I couldn't wait to. The Max Martin-helmed "Everybody Backstreet's Back " was one of the most defining tracks of the late Nineties pop explosion — huge, produced like a Michael Bay movie and a little more PG than the New Kids were — a perfect statement of intent for a group and movement ready for total world domination. With "Everybody"'s campy, horror-themed video and dirty synth crunch, BSB not only became the new princes of pop but also the culture's new sex symbols. This single from the Monkees, all tinkling piano and swelling woodwinds, served as the TV-borne foursome's final chart-topper.
Written by former Kingston Trio member John Stewart and featuring orchestration by trumpeter and arranger Shorty Rogers, the Davy Jones-crooned "Believer" is one of the band's most luscious tunes. Mashing up two cuts off the band's Sherlock EP — the bouncy hip-hopper "Clue" and the impressive vocal track "Note" — "Sherlock" was touted as Korea's first "hybrid remix" single. As an already beloved, already chart-topping boy band under Korea's biggest music label, SM Entertainment, the Jackson 5-recalling tune shows how innovative and experimental K-pop can get, even for its most mainstream acts.
It's a bit of an improbable hit, if only because it has so much space — thumping bass and drums, synth hits only when absolutely necessary, Knight's voice carrying the whole thing on a wave of infatuation and moxie. Not to mention the Bauhaus shirt he wore in the song's careening-around-Boston video. But that mix, especially when added to the "oh, oh, oh-oh-oh" chant that became a siren call in school hallways, was — and is — a potent one.
English boy band Take That pose in combat boots, boxer shorts and red boxing gloves, as worn in their first video 'Do What You Like', In , a simple tale of kitchen-sink heartbreak was enough to elevate Take That from U. With the boys smartened up in Versace suits for the single cover, "Back For Good" signified a new maturity for the band, which disappointed those fond of TT's campier disco origins — the NME called it "just too classy.